Maybe the stars weren’t aligned the first time around. For a variety of reasons, many of our favorite classic rock songs weren’t hits when they were first released. But whether it was their inclusion in a key moment in a hit movie, riding on the coattails of other hits by the artist, or just plain old serendipity, these 10 songs received a second chance at Top 40 radio in the U.S. and enjoyed a much more positive reception than they did the first time around.
10) “Layla” – Derek and the Dominos – This song, so closely identified with Eric Clapton, was actually released by his short-lived supergroup on their only studio album, Layla and Other Assorted Love Songs, in 1970. In its first life as a 1971 single, an edited version of “Layla” essentially stiffed. It wasn’t until it was released in its full 7:10 length a year later from the History of Eric Clapton collection that it became a hit, peaking at #10 on the Billboard Hot 100. Bonus points: A newly recorded “Unplugged” version was released in 1992, reaching #12 and earning Clapton a Grammy for Best Rock Song.
9) “You Took the Words Right Out of My Mouth (Hot Summer Night)” – Meat Loaf – If you were listening to album radio in the late ‘70s, chances are you’d hear a song from Bat Out Of Hell. The breakthrough LP for Meat Loaf has become one of the top-selling albums of all time. But in 1977, when “You Took The Words…” was originally released as a single, it failed to click. However, once “Two Out of Three Ain’t Bad” and the now-iconic “Paradise by the Dashboard Light” achieved success at rock and pop radio, “You Took The Words…” was re-issued to radio and became the third hit from the LP. Bonus points: Marvin Aday (Meat Loaf’s birth name) was a long-time fixture on the NYC softball circuit throughout the ‘80s.
8) “Do You Love Me” – The Contours – Not a classic rock track, you say? Pshaw, we reply. This Motown act had failed to score with their initial singles, when luck intervened. Label founder Berry Gordy Jr. wrote the song and reluctantly gave it to them to record in 1962. The result was a #3 pop and #1 R&B smash. Years later, the song was featured in the 1987 surprise hit film, Dirty Dancing. Though not on the original soundtrack, RCA capitalized on the fever for anything related to the film and issued a companion album, More Dirty Dancing, in 1988. “Do You Love Me” was released as a single and reached #11, thus making The Contours sort of “one-hit-twice wonders.” Bonus points: A cover by British Invasion band the Dave Clark Five scored a #11 hit in 1964.
7) “Monster Mash” – Bobby “Boris” Pickett and the Crypt-Kickers – Long a Halloween season favorite, this novelty song actually hit #1 in less than two months after its initial release in 1962. Eight years later, it again hit Billboard’s Hot 100 at #91. Then in 1972, it earned a Hot 100 trifecta, peaking at #10. Bonus points: Pickett’s nickname derived from his talent for doing a pretty good Boris Karloff imitation. Are you singing the chorus – “It was the Monnnn-stah Mash” – in your head now? You’re welcome!
6) “Nights in White Satin” – The Moody Blues – The final track on the 1967 concept album by the British rockers, this song was a modest U.K. hit that year. It wasn’t until the group had a series of Top 30 singles including “Question” and “The Story in Your Eyes” that “Nights in White Satin” was again released as a single in 1972, this time reaching #2 on the Billboard Hot 100 and becoming the band’s signature tune. Bonus points: The song is featured in the 1995 Martin Scorsese film, Casino.
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5) “She’s Gone’ – Daryl Hall and John Oates – The blue-eyed soul duo racked up hit after hit on RCA Records in the ‘80s. But in the prior decade while on Atlantic they had not yet achieved superstardom. As a 1974 single from their Abandoned Luncheonette album, the song peaked at #60. Two years later, Hall & Oates enjoyed their first smash hit, “Sara Smile.” That same year, Atlantic re-released “She’s Gone” and this time it went to #7. Bonus points: The song was a #1 R&B hit for Tavares in 1974.
4) “Candle in the Wind” – Elton John – Originally included on Sir Elton’s 1973 hugely successful double LP, Goodbye Yellow Brick Road, this tribute to Marilyn Monroe was eschewed as a single in favor of the title track, “Bennie and the Jets” and “Saturday Night’s Alright For Fighting.” (If the album had debuted 10+ years later, the label would have assuredly released at least two other singles.) In 1987, a live version of the song became a #6 hit. But its biggest success was in 1997 with updated lyrics to honor the memory of John’s dear and departed friend, Diana, Princess of Wales, when it hit #1. Bonus points: The song is the second best-selling single of all-time behind Bing Crosby’s “White Christmas.”
3) “Welcome to the Jungle” – Guns N’ Roses – The first track on G N’ R’s massively successful 1987 debut album, Appetite For Destruction, was also its first single, but it failed to chart in the U.S. It wasn’t until the more pop radio-friendly “Sweet Child o’ Mine” soared to #1 on the Billboard Hot 100 that “Jungle” was sent out again to radio. It subsequently became a Top 10 pop hit. Several years ago, VH-1 named it the greatest hard rock song of all time. (Let the debate begin!) Bonus points: The album finally hit #1 a full 13 months after its release.
2) “Got To Get You Into My Life” – The Beatles – The only singles from the Fab Four’s 1966 album Revolver were the double A-sided “Yellow Submarine”/“Eleanor Rigby.” But the buoyant “Got To Get You Into My Life” with its prominent use of horns was a popular LP cut. Several years after The Beatles broke up, Capitol/EMI began adding new titles to their catalog. One such release was 1976’s double LP Rock ‘n’ Roll Music. “Got To Get You Into My Life” was chosen as the U.S. single and the song reached #7 – a success, but a modest one given the group’s previous chart domination. Bonus points: Two years later, Earth, Wind & Fire recorded the song for the ill-fated Sgt. Pepper’s Lonely Hearts Club Band movie; it went #1 R&B and #9 pop.
1) “Bohemian Rhapsody” – Queen – The king of all re-releases was actually a legitimate though somewhat surprising hit during its first go-round, hitting #1 in the U.K. (1975) and #9 in the U.S. (1976). The unique song was Queen’s breakthrough hit in America and helped its A Night at the Opera album reach #4. Less than a year after lead singer and the song’s writer Freddie Mercury died, “Bohemian Rhapsody” enjoyed a second chart life, buoyed by its prominent inclusion in the highly popular Wayne’s World movie, peaking at #2. Bonus points: Magnifico!
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16 Comments
One more: “Dream on” by Aerosmith. Although “Sweet Emotion,” was Aerosmith’s first single to reach the Top 40, “Dream On” had been their first (non-charting) single, in 1973.Three years later, after “Sweet Emotion” got some traction, “Dream On” was edited down and re-released and went top 10.
Elton’s rewrite of “Candle” really shouldn’t count (and is best forgotten anyhow).
Nor should the Beatles entry, since it wasn’t a single before it’s 1976 release on a 45 (therefore, not a reissue).
Regardless, I’d argue peaking at #7 when the group broke up six years earlier, with a song that had already been available for a decade on a hugely popular album (not to mention on a new collection), is pretty damned impressive.
Also, not quite a “hit,” maybe, but (arguably) the best post-60s Beach Boys song — “Sail On, Sailor” — reached only #79 originally, then was reissued a couple years later and made it to #49 the second time around.
It’s one of the few Beach Boys songs that ever gets any Classic Rock radio play now, has also shown up on at least one movie soundtrack (The Departed), and Jimmy Buffett has performed it.
How about “Baby I Love Your Way”….Frampton’s studio version did so-so on its initial release……but the live version went through the roof.
Plus there were subsequent cover versions by Will to Power, and also one by some reggae group (Big Mountain, I think they were called)
Seriously, Dream On HAS to be at the number one or two spot on this list. Glaring omission her!
This isn’t a “10 Biggest Hits That Were Re-Released” list. It simply IDs ten such instances. Having noted that, I’ve been noodling a “10 More” list and “Dream On” will certainly be on there. Thanks for taking the time and bringing it up!
Would Ding Dong The Witch Is Dead 2013, Lonesome Pine, We have all the time in World not be contenders for this list?
“Lady” by Styx was a regional Chicago hit, following which (months if not a year later) WLS-AM picked it up and it went national.
You forgot the most re-successful release of all time…”Lola” by the Kinks.
Some more candidates for the next list: Sheriff “When I’m With You” (okay song) and Benny Mardones “Into The Night” (awful song!). Actually, upon further review, the most unwelcome second life of “Into The Night” wasn’t as big as its first so perhaps you should leave it off. You will earn my gratitude.
“Get Together” by the Youngbloods made it partway up the charts in the fall of 1967, and was a major hit when re-released in 1969.
“Everybody’s Talkin'” by Nilsson was a minor hit in 1968, and a major hit (with a different B-side) when it was re-released after being included in the soundtrack of “Midnight Cowboy” in 1969.
The all-time biggest second-time-around hit is The Twist by Chubby Checker. #1 in 1960, #1 in 1962.
Let’s Twist Again!!
You omitted the most important part which is, originally written and recorded by Hank Ballard and the Midnighters in 1959 which did very little but is better than Chubby’s version.
Frankie Valli & The Four Seasons – December, 1963 (Oh, What a Night)
Let’s not forget The Youngbloods’ “Get Together”; a mere #62 single in its initial release in 1967, but when re-released in 1969 soared to #5 and was certified gold!
Very interesting article, as always.
As Layla, the original album version, has always been one of my personal favorites, ever since I first heard it on “Layla And Assorted Love Songs”, I cringed when radio programmers in the early 1970s inserted a singles-version ( i.e 45 rpm/2:52 length), for airplay, even on F.M. stations.
To me at least, Layla without Jim Gordon’s, piano coda (yes, he played piano on this song) and Sky Dog’s masterful slide work and ending lilting bird notes on the coda, Layla isn’t the same at all.
And forget about the ,”Unplugged” version, regardless of how commercially successful it was (cashing in on an MTV/VH1 fad)