Author: Rob Patterson

Rob Patterson began writing about music in 1976. Since his first published record review in Crawdaddy he has contributed to numerous national popular music magazines such as Creem, Musician, Circus, Spin, Request, Tower Pulse!, CD Review, Acoustic Guitar, Harp and many others along with major country music, consumer audio, musical instrument and studio recording magazines plus international publications New Musical Express and Country Music People in the U.K. From 1977 to '84 he wrote a nationally syndicated music column as well as stories for Newspaper Enterprises Association/United Feature Syndicate that ran in more than 400 daily newspapers across the nation. His work has also appeared in many weekly newspapers, online publications like Salon.com and The Huffington Post, such books as the Rolling Stone Record Guide & Revised Record Guide, The Greenwood Encyclopedia of Rock History and The Year In Rock, 1980-81, plus liner notes for 20 album releases.

This charming indie film about a rock band making its last stab at success in Tokyo uses the real life group Tennis Pro to make a rock flick that feels true. With its very cool songs, superb performances by its all amateur actors and vivid scenes in the land of the rising son, Big in Japan charms and gets life in a band right.

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Can Meryl Streep rock the silver screen in Ricki and The Flash? Her all-too-rare in the movies real live band certainly does in this pleasant enough flick.

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The seemingly risky move of having two actors play Brian Wilson – Paul Dano as the young Beach Boy and John Cusack as the older Wilson – succeeds admirably in this emotionally compelling film that tells the legendary artist’s story with the ring of truth and uncanny accuracy.

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He is likely best-known in America not for his music with the band Dr. Feelgood – who achieved even-less-than-cult-status in the US though well known in his native England – but for his role as the mute executioner, in Game of Thrones

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