The album offered quiet songs of experience bathed in a rustic glow, with no hints of the futurism and none of the kilowatt drama then prevalent elsewhere in rock.
Author: Sam Sutherland
One of the first all-digital albums recorded with the compact disc in mind, it vaulted the British band into the rock stratosphere.
With worthwhile covers, solid originals and no filler, the LP sustained a level of quality that invited favorable comparison with their heroes, the Beatles.
The album’s success underscores how Squeeze’s elan as a lively, kinetic pop-rock outfit was elevated by Difford and Tilbrook’s artistry as storytellers.
With production by Jackson Browne and great songs like “Poor, Poor Pitiful Me” and “Hasten Down the Wind,” the 1976 LP is an unsung classic.
The album, Costello’s fifth overall, captures the quartet at a potent but troubled peak, its title a loaded, ironic signifier
‘Pearl’ remains Janis Joplin’s most fully realized record, fronting the best band she would ever lead on her strongest set of material.
Donald Fagen and Walter Becker’s quest for the perfect groove proved a key denominator across the 1980 album.
The London concert providedvalidation that Marley and his band, the Wailers, had breached the rock market with their potent strain of reggae.
Released in 1970 as the Beatles officially split and all four dropped solo albums, Harrison’s mammoth boxed set was a dark horse.